Monday
Feb272012
OperaNow! #153: Sumi Jo's Sexy Eyebrows
Monday, February 27, 2012 at 9:34AM
Should Levine bow out gracefully from The Met?...Opera Orchestra of New York cancels Domingo's Simon Boccanegra...ENO launches online search for new "mini" works...Osvaldo Golijav: Musical Thief?...Fabio Luisi stands up for Andrea Bocelli...a sex trafficking opera...Kentucky Opera maestro steps down amid orchestra union dispute.
Oliver starts his series on Romeo et Juliette, Act 1 and tracks by Simon Keenlyside, Angela Gheorghiu, Andree Esposito, Alain Vanzo (and some mystery singers, dear listeners so get your score cards out!)
This week features Michael, The OC, and Doug Dodson.
And now, the eyebrows...
Reader Comments (12)
daniel (in LA)
"the devia recording is nice. i really don't hear any problem with her french diction. i know that every time oliver plays a recording of an italian singing french he comments on how poor their diction is. why? devia announced a few weeks ago that she will be singing norma soon...so i'm looking forward to that.
another good recording of juliet's waltz is the one renee fleming did on her "beautiful voice" recording. her trills are excellent.
another juliet that i like is anna netrebko, but her diction, coloratura, and technique in the waltz is pretty terrible, but i still like it. netrebko's singing is also very exciting in the poision aria. i was a listening to a recording of netrebko siging the poison aria earlier this week and i was amased by how she sustained the high tessitira for so long.
anyway, this is not one of my favorite operas. i have always liked i capuleti i e montecchi by bellini much better than gounod's romeo and juilet. i don't know why but i find all the duets very boring. just compare the act one duet between romeo and juliet from the gounod to duet from the bellini. i'm still looking forward to what oliver has to say...maybe it will help me like this opera more."
my response;
Netrebko: Waltz -meh, Poison -ouias!
Fleming: to my knowledge has never performed the role, so I had to disqualify her from the comparison, but I agree, on that record the trills are well-executed and thrilling.
Devia; She is one of my all-time fave's. This does not mean that she is infallible. One of the things that has preserved her voice is vowel modification. An egregious example of that same strategy is Joan Sutherland. Devia does not go that far, to be certain. It is a minor quibble that shows her technical acumen and allows her now to be peerless in her generation. The older she gets, the more stylish she becomes. Thank god for youtube, we can hear her over decades and see the artist evolve.
If you find this opera to be boring, I understand you better than our sparring has illustrated. It has taken me a while to love this opera because I felt like I had to wade through too much buttercream in order to finally taste the cake. This is not Gounod's fault, but the result of too many generations of different international styles being piled on top of each other- a babylonian Kitchen-aid stand mixer making everything taste the same. And then people go to France and fall in love with a real croissant only to search in vain for a real patisserie stateside.
Ed, the singer from the recent TINTIN movie was actually Fleming. You have it mixed up. They start with the intro from "Una voce poco fa" but then she launches into "Je veux vivre".
Seriously, if a young or unknown singer tried presenting this exact rendition at a performance or for a competition they would get slaughtered. And she is a famous, opera star!!!!!!! Help me.